Conditionally Accepted*

mi mami y yo.JPG

In college, I told my mom I was in a group for women of color, and she looked at me unsure. “Are you a woman of color?” she asked.

It’s the same look she gave me last month when we talked about race and migration. “I don’t really think of you as an immigrant,” she admitted.

“But we moved here together,” I reminded her.

“I know,” she said, and we laughed, remembering the things we went through. I’d get in trouble in school for following my teacher’s directions literally because that’s the only way I understood English. Drivers would stare at us on our walks to the grocery store––making it very clear that we were the only people who walked places in the Texas suburbs. A few months later, we were tricked into buying a car that would break down every 20 miles. After pouring water into the radiator or changing the oil, my mom would say “It’s God-powered, remember?” and I would nod, assured that our precarious rides were really miraculous adventures.

My mom and I have gone through so much together, and yet I know exactly what she means when she wonders if I am a woman of color or a Mexican immigrant like her.

Despite our similarities, in the United States, we have always been treated differently. I am perceived as White and American. She is perceived as brown and un-American. This difference in perception has enormous consequences –– consequences we’ll likely never know in full.

But, even though I have a lot of White privilege, I am often reminded of the fact that I am not White.

In high school, I slept over at the house of a friend who told me her brother had been robbed while delivering a pizza in the “Hispanic part of town.” The next morning, I went home replaying her words in my head. I decided that she didn’t mean anything bad by it. I reasoned that she didn’t think that hearing “Hispanic” equated with “criminal” or “dangerous” would be hurtful to me because she didn’t think of me as Latina. I mean, we both liked feminism and indie music and writing instant messages in lower-case letters. We were in a lot of the same classes. As far as I was concerned, we were practically identical. 

A few months later, I was accepted to the liberal arts college she’d told me about, and I got a good financial aid package, too. She was a grade below me, and I couldn’t wait to tell her. “I got in! I got in! Now you just have to apply, and then we’ll go to college together!” In my mind, our future was set. Our lives would be a spinoff of a teen drama on the WB.

Her eyes narrowed, “I probably won’t be able to go,” she said, before telling me that she didn’t have my advantages. What could she mean by that? Was she saying that being Mexican and having a single mom were advantages, implying that I didn’t deserve to get in? I mumbled something about “need-based financial aid” and kept encouraging her to apply. I cried when I got home.

In high school, I rarely talked about race or my immigration story. I knew the kinds of things White people said when they thought people of color weren’t around, and it didn’t feel safe. (I wrote a little bit about this for Enormous Eye, under the section titled 1:43 pm, my mom’s car.)

College felt safer. My roommate was from Miami, and she told me that even though her parents were from Venezuela, her mom loved Mexico and Mexican culture. Sometimes we’d stay up late, singing our favorite Alejandro Fernández songs, and I didn’t feel self-conscious speaking Spanish on the phone with my mom.

One day, I was telling a story about my hometown in Mexico. A White friend of mine laughed and said, “I like you because you’re Mexican, but you don’t, like, make a big deal out of it.” Her tone was light, but it felt like a warning.

People often say things like this to me. Their words are subtle reminders that I can belong to their club, as long as I know my place.

* The title for this post is borrowed from the blog Conditionally Accepted, “a space for scholars on the margins of academia.”

Conditionally Accepted*

Butterfly/Mariposa

A butterfly (a.k.a. mi paisana) in the flowers

My immigration story starts with children’s TV commercials from the ‘90s.

I was a little girl in Chihuahua, Chihuahua, when my mom got cable television for our house. To me, it was pure magic. I would watch Cartoon Network as often and as long as I could. The cartoons were dubbed in Spanish, but all the commercials were in English. And I was hooked.

Before I could speak any English at all, I knew how to say, “Live and learn and then get Luvs,” and I dreamed of going to Long John Silver’s. My favorite commercials were the infomercials for kids’ toys—the ones with bright blue screens and 1-800 numbers at the end. I thought about pretending to be a grown-up so I could order something, but I didn’t know how to make international calls.

As a middle-class kid in Northern Mexico, the United States was where I went shopping. My mom and I would go to El Paso and spend a few days buying the clothes and toys that were ten times as expensive in Chihuahua. The whole country seemed like an amusement park.

In the summer of 1996 my mom asked me if I’d like to live in the States. I jumped at the chance.

I couldn’t wait to live in those perfect commercials, to see movies—like The Hunchback of Notre Dame—as soon as they came out instead of waiting months for movies to come to Mexico, and to eat fast food all day every day. My life was going to change. I was going to be a short drive away from a Toys R Us!

Of course, I quickly learned that life in the States is not all fun and games. Sadly, one of the first things I learned when I moved to the States was to describe myself as “from Mexico” rather than “Mexican” because I heard “Mexican” used as an insult so often. My identity went from being something celebrated to being a bad word.

In Mexico, I’d heard about pochos, people of Mexican ancestry who couldn’t speak Spanish (or spoke it incorrectly). When my mom and I moved to Texas, we met many people who fit that description. The common perception of them in Mexico was that they were ashamed to be Mexican (malinchistas al máximo) and that’s why they didn’t speak Spanish. But soon we learned that Spanish used to be banned in Texas schools. One of my mom’s friends told us about how she would be hit with a ruler if her teachers heard her speaking Spanish. After seeing their daughter come home with red knuckles day after day, her parents encouraged her not to speak Spanish anywhere, not even at home, so she could avoid punishment.

Some of the Mexican-Americans we met might have been ashamed of their roots, but that shame was systematically taught.

I learned that shame, too. Overhearing racist jokes—so many racist jokes—seeing the way people looked at me differently when I spoke Spanish, and being told I was “not really from Mexico” when I defied people’s stereotypes are just a few of the ways my surroundings taught me that being Mexican was categorically A Bad Thing.

Luckily, I had an antidote for this poison. I would learn shame from a culture that positioned itself as the best and deemed my home inferior, but then I got to go home. And I saw how wrong that view was.

My home isn’t a place where chickens run around the yard and people ride donkeys (although now that I’m a grown-up environmentalist, that sounds rad). My home is Chihuahua, Chihuahua, and it’s where I got to go the theater, take painting classes, and learn modern dance from a Cuban teacher (who was visiting Mexico from Cuba for a summer). Chihuahua is the place where my little cousins took Japanese classes just for fun, and I was surrounded by people who prided themselves on speaking at least two languages. The world seemed bigger there.

I worry about the diaspora kids who don’t get to have this, the Mexican families physically torn apart by that arbitrary line called the border/la frontera.

On one of my first days in Madison, I sat in a park watching monarch butterflies and thought about their migration from Madison, Wisconsin to Morelia, Michoacán and back again. Can you imagine how wrong and unnatural it would be to build a wall to keep butterflies out of a country? Is it any less so to do this to human beings?

There are many reasons why I believe having national borders that people cannot cross freely is wrong, but the most personal is that I don’t know who I would be if I hadn’t been able to go back to Mexico to relearn how to love myself.

Butterfly/Mariposa

Unlimited Voices

It’s no secret that I love public transportation. On my 19th birthday, my best friends threw me a party on the number 19 bus in Portland, and I moved to New York because it has the best mass transit system in the United States. In fact, as far as I know, it is the only city in the world where the trains run all day and night. My other favorite thing about New York is all the opportunities to organize for social change.

However, I didn’t realize just how essential mass transit is to social justice efforts until this weekend.

After attending the #BlackLivesMatter protests in New York City, I noticed that some of the hardest-working protesters––all people of color––were having a hard time getting money together for the train. That prompted me to think about how unlimited MetroCards are New York City’s golden ticket. With an unlimited weekly MetroCard, you can pay $31 to go anywhere in the city for seven days without having to think about money. Without one, you have to pay $2.50 per trip. How much harder would it be to speak out against injustice if it meant going without dinner or walking home late at night in the cold?

The golden ticket
The golden ticket

Last night, I launched a small fundraiser to get low-income protesters unlimited MetroCards, so that they don’t have to choose between raising their voices and getting home safely or going to work the next day. It is called Unlimited Voices and you can check it out here.

A few people have asked me, “Why unlimited cards?,” pointing out that we could get a lot more cards to a lot more people if we gave cards with smaller amounts or just swiped people in at major subway stations. The reason I think it’s important that they be unlimited is that there are actions happening all over the city every day, and anyone who wants to be at one—whichever one—should be able to go. I also know that amazing grassroots organizers are already mobilizing and manifesting in incredible ways. They don’t need my suggestions, and in fact, I need their leadership.

In less than a week, I have learned more about organizing and peaceful protest from the activists I’ve met on the streets than I have in my whole life.

Thank you so much to everyone who has donated. I am really hopeful about the impact our efforts will have and hope that together we make sure that those most affected by structural racism and this city’s vast wealth disparity have the ability to speak out without being limited by the high cost of mass transit in New York City.

In solidarity,
kristy

Unlimited Voices

Letter to my White friends

Yesterday the latest failure of the U.S. justice system erupted: the policeman who murdered Eric Garner using an illegal chokehold will not be indicted by New York State. That means he might never go to trial. Police shouldn’t be killing anyone, regardless of whether or not you committed a crime. That is not their job, but it is especially disturbing when the victim is an unarmed civilian who isn’t hurting anyone. This is the second time in just a couple of weeks that a White cop has literally gotten away with murder after killing an innocent Black person in the United States. And just two days ago, another police officer killed an unarmed Black man in Arizona. These are not isolated incidents. If you haven’t already, I implore you to read this short article, listing 25 ways innocent Black Americans have been killed linked to the incidents they mention. It was written by Ijeoma Oluo, a mother who wonders how she can explain this to her sons.

Eric Garner was killed pleading for his life in the street in broad daylight on video, and the cop who murdered him with his bare hands is not innocent until proven guilty. He’s just exempt from the whole thing.

These were Eric Garner’s dying words.

eric garners last words

The news broke a few hours before the Rockefeller Christmas Tree Lighting, a famous national tradition taking place just miles from where Eric Garner died. Activists called for the tree lighting to be canceled with the hashtag #NoJusticeNoTree on social media. We also asked celebrities to refuse to perform or use their time on stage to stand up for Black lives and against police brutality.

A friend and I went to protest the tree lighting. We got as close to the tree as we possibly could and tried to start some chants, but we seemed to be the only protesters there. When we yelled “Black lives matter/More than a tree,” we were told, “Now is not the time and place.”

“This is a Christmas celebration.”

“There are children here.”

But when is the right time and place? I love Christmas, but so did Eric Garner. He used to dress up as Santa Claus for his grandchildren. What about the families who won’t get to have a merry Christmas just because one of their family members dared to stand on the sidewalk? What about the Black American children who are themselves murdered by police? When will we stand up for them?

People of color around us looked at the ground sadly and said, “We understand, but protesting here won’t bring him back.”

And they’re right. No protest will ever bring back Eric Garner or Michael Brown or Tamir Rice or Aiyana Stanley-Jones or any of the other countless victims. Human lives are precious because once they’re gone, they’re gone forever.

I don’t know what the right time to protest is—but I know the wrong time to stay silent. We can’t let more innocent Black people die. We can’t live in a country that lets White cops go free after killing someone, without facing so much as a day in court. That is the system that we are living under today, and if we don’t do something, it is the system that will continue. The tally of deaths will rise and rise while we wait for the “right time” to demand justice.

In the end, the Rockefeller tree was lit.

We left before it happened. It was isolating to be the only ones in distress while everyone around us sang Christmas carols. Then, we found all the protesters who didn’t make it past the barricades into Rockefeller Plaza.

radiocitymusichall

We marched with hundreds of people taking over streets and chanting, “Black lives matter! Black lives matter!”

“No justice, no peace, no racist police!”

Repeating Eric Garner’s last words. “I can’t breathe. I can’t breathe.”

And Michael Brown’s. “Hands up, don’t shoot.”

We can’t let these words fade from our memories.

My friend and I found Tasha and walked across Broadway while all the cars stopped at a green light because there were too many of us. We were no longer alone. Traffic came to a complete halt as we took over the Westside Highway. And aside from the great mass of people who enveloped us, there were drivers honking in support, bus drivers raising their arms in solidarity, restaurant delivery people yelling as they zoomed past, even taxi drivers rolling down their windows to give us high fives.

It was a powerful reminder.

Every time you protest, you are representing all those who can’t.

White people are extremely safe on U.S. streets. We benefit the most from this unjust system that forces people with dark skin to fear for their lives while we have the “luxury” of being free. If we understand that everyone should have the right to exist, it is our responsibility to speak out.

The friend with whom I protested last night is biracial but often perceived as African American. After the protest she pointed out several times during the night when she was treated differently from me despite the fact that we were standing side-by-side saying and doing the exact same things. That is White privilege.

To my White, able-bodied friends: get out there and march. Stand in solidarity with the people of color who don’t have your privilege. Follow Black leaders and be a number in the streets. Even if you are completely jaded and believe that the protests won’t do anything to change the system, get to the streets. Do it to show support for the people who lost their loved ones simply because their skin was darker than ours. Do it because you love listening to rap songs about inequality. But how can you sing along in good conscience if you don’t speak out against it? Do it because you have the luxury of staying home and never being bothered by the police. Show the world the most basic fundamental truth: Black lives matter. The system is not doing it, so it is up to us.

Letter to my White friends

Mad Men Season 6 Predictions

**No spoilers, I promise.**

Friends, Romans, TV-Watchers…

I am presently languishing in a deep, deep discontent brought about by a lack of Mad Men. I missed the premiere——knowingly and with good reason. I didn’t just forget! I would never forget.

Coming back to New York in time to make it to one of my beloved watch parties (I love them so much, I have a history of showing up a week early) would have meant leaving Connecticut 5 hours early. Since Devin and I are only in the same city for approximately 36 hours a week, 5 hours makes a big difference.

But oh! If I only I could have my cake and keep it, too!

Now who knows when I’ll get to see season 6. Will I be behind next week? Will I never attend another Mad Men costume party again?!

Thankfully (or not), I get a little dose of Mad Men every morning at my subway stop where I get to wait by this ad.

MAD MEN SEASON 6

I’ve spent a lot of time examining it and, just from this ad, I feel ready to make some predictions about this season.

Question: Who is that walking behind Don and the person he’s holding hands with?

MAD MEN SEASON 6

Answer: It’s Megan. It’s totally Megan. And even if you don’t think it’s Megan, there’s no way the womyn holding Don’s hand is Megan. Megan would never wear that color, and in general, she favors bolder clothes. In fact, wouldn’t you say that gauzy blue thing is much more reminiscent of Betty’s style? In previous seasons, she often wears light blue.

I’m not suggesting that Don gets back together with Betty in season 6; but I think he will definitely cheat on Megan, probably with a womyn who is more content with being a traditional wife (i.e. being subordinate to her husband) than Megan is. In season 5, Don isn’t keen on Megan asserting her independence in any way, and he probably won’t deal with that issue by going to therapy and starting a male feminist support group  (but wouldn’t that be a cool twist!).

In general, I think the show will keep marginalizing characters from historically underrepresented groups*, just like I said it did in seasons 1-4. And just like it did in season 5, even after starting on such a promising, if stereotypical, note.

But that doesn’t mean I don’t want to watch it. As anyone who knows me will tell you, I watch the show primarily for the set design and costuming. Hopefully, Mad Men will stay on point in that realm.

And now, if you’ll excuse me, I have to hide from the internet to avoid any and all spoilers while I figure out how to watch the premiere.

*I use the term ‘historically underrepresented groups’ to mean non-White, non-straight, non-rich people.

Mad Men Season 6 Predictions

How ‘Mad Men’ exemplifies everything wrong with television today

Spoiler alert: I don’t give away anything that happens in Mad Men’s season 5 premiere, but I do discuss characters and plot points from seasons 1-4.

The first time I visited the Brooklyn Central Library, I happened upon a flyer advertising an academic lecture that started in precisely five minutes. Nerd that I am, I quickly found the lecture hall and snagged a front-row seat. For the next hour, I listened to Trey Ellis revisit his seminal essay ‘The New Black Aesthetic’ (1989). My alma mater doesn’t actually have a Black Studies department, so even though this essay is required reading in most intro to Black Studies/Ethnic Studies courses, I’d never heard of it. My gist of it is that Ellis was grappling with the fact that the Black middle class was growing in the U.S., and consequently, Black artists and the work they produced were becoming increasingly diverse. (Don’t take my word for it, though. I’ve never read it.)

What struck me most from that afternoon is something Ellis mentioned in the Q&A. He said that he has a lot of Black friends who are television actors and that they have a very hard time finding work these days. I suppose it points to my White privilege that I hadn’t really noticed that—aside from the syndicated Tyler Perry sitcoms—there are virtually no television shows with primarily Black casts on the air today. This is super different from how things were in the 1990s and early 2000s. Remember Moesha, Sister Sister, A Different World, Smart Guy, The Fresh Prince of Bel-Air, Girlfriends, Living Single, The Parent ‘Hood, My Wife and Kids, and That’s So Raven? Those are just a few of my favorite shows centering on Black American characters. None of them are on the air anymore, and nothing has really replaced them. What happened?

It strikes me as odd that—in a time marked by the election of a Black president and the passage of marriage equality laws for gay and lesbian citizens in many states—stories about historically underrepresented groups are left, well, underrepresented on television. I don’t know why this is, but I have a pretty solid grasp of how one of the most popular television shows today treats characters from marginalized groups, so let’s look at that.

Mad Men is a show about an advertising agency on Madison Avenue, so of course, it centers primarily on White male characters.


It does feature three female leads and occasionally features story lines that include non-White and/or non-straight characters. Like…

Sal Romano, the closeted art director at Sterling Cooper. He struggles to hide and suppress his homosexuality in seasons 1-3. Sal was one of my favorite characters. Sadly, he was abruptly fired after refusing the advances of a client. The show never mentions what becomes of him.

Carla is a recurring character on the show in seasons 1-4. The show never mentions her last name, but we learn a little bit about her here and there. She is supportive of the Civil Rights movement (whether she is active in it is unknown) and sad about the death of JFK. In one episode, Sally mentions that Carla goes to church every week. I kept waiting for a storyline about her or, at least, more insight about her relationship with the Draper children; but alas, all the trivia about Carla were just teases. She is abruptly fired in season 4 (I’m sensing a pattern here…).

Sheila White is one of two ‘Black girlfriend’ characters on the show. She is the girlfriend of Paul Kinsey who is portrayed as the progressive beatnik of the office. The show reveals that Kinsey is of lower- or working-class background and was only able to go to Princeton thanks to a scholarship. In the show, he is a successful advertising executive. Sheila is a checkout girl at a grocery store in New Jersey. I was really excited to see how the show would explore the class complexities of their relationship as well as their being in an interracial relationship in the Sixties. Sheila also prompted Kinsey to become active in the Civil Rights movement, and I thought it would be interesting to see how their relationship would be perceived by Black activists. Only guess what? Sheila was only in two episodes, and then—poof!—abruptly eliminated.


Rachel Menken is a Jewish businesswomyn who runs her family’s department store. Don has a brief affair with her until she puts a stop to it. I know very little about what it was like to be Jewish in New York in the 1960s, so I was excited to learn more about what Rachel’s life was like.  How does she cope with anti-Semitism? Who are her close friends? What is her social life like? Sadly, all of these questions are left unexplored.

Smitty and Kurt are hired by Don to help the ad agency tap into what ‘the kids are into these days’. They are always together, which kind of sort of makes it seem like they might be a couple. In episode 11 of season 2, Kurt plainly reveals he is gay over donuts in the break room. For a moment it seems like the show will take the plunge and more fully explore the complexities of being gay in the 60s. Will Smitty come out, too? Are they a couple or not? Will Kurt take Sal under his wing and counsel him through his own coming-out?  Nope. They go on to work at another agency and…that’s all we know.

Oh look, another Black girlfriend character plot device! Toni Charles appears in exactly one episode of Mad Men. She works as a Playboy bunny and is Lane Pryce’s mistress. Lane tries to introduce her to his dad in the worst way possible and then breaks things off after his awful, racist father beats him up and tells him he better reconcile with his (rich, White) wife. Lane is a wealthy Englander new to the States, so his relationship with Toni would have provided a lot of cross-cultural fodder. Toni is likable and in a position completely different from any other character. This plot line could’ve been so interesting, but yet again, Mad Men chose not to go there.

The ending of the first episode of season 5 suggests that may change this season—at least a little. I hope it does.

The majority of television shows have centered on straight, White, financially stable folks for over eighty years. Isn’t it time to change the channels?

It could be like the 90s. Or better.

How ‘Mad Men’ exemplifies everything wrong with television today